My images of London are illusions. In this episode, hear about why we left, how we left, our last two London adventures, and the toll London took on Craig’s mental health.
Hear about Shona’s da’s story; learn about the highland clearances, the 10-pound poms, and how people fashion intimate connections and meaning in countries far from their place of birth; and travel through 400 years of UK Departures and Arrivals. (Two years ago today, the UK locked down.)
Dear Migration Museum,
Hope you’re well.
Just a note to let you know that I loved volunteering with you and it was really important to me. I know it might sound a little strange, saying that, given I wasn’t there too long, but you’re just such a brilliant place. (I know I don’t have to tell you that.)
When I first visited you as a punter, it hadn’t struck me before that I was a migrant. I’d grown up with so much UK media (mostly BBC productions on the ABC), and even now, the UK is presented as ‘the same’ as Australia; that we both understand each other’s cultures perfectly. Again, I don’t have to tell you this, but that’s not true. The difficulty in navigating London is that it’s all so similar, but there’s a tilt that makes everything awkward, more confusing and difficult, and it’s just askew enough to discombobulate me without my being able to put my finger on anything specific. Shona and I both knew going in we were travelling to the belly of the Colonial Beast, but I didn’t realise how ingrained that thinking is; how colonialism is celebrated in so many contexts without any reflection; and how the idea of ‘born-to-rule’ permeates. (But of course, you give us the other perspectives and stories.)
When I first approached you about volunteering I was suffering anxiety. I’d never had this before, and was having anxiety attacks — I didn’t know what was going on. I ended up working with a counsellor. Covid in London broke me. At the time the MM was perfect. So open and generous and caring.
Could you please let everyone I worked with know I really valued meeting them and enjoyed my time there. One regret is that I didn’t get to be part of the MM for longer and get to know each of you better.
Take care and stay safe.
London’s Migration Museum, LewishamRachelle RomeoWe Are Lewisham (Borough of Culture, 2022)
Music & SFX
Opening & Closing Credits by Unregistered Master BuilderSFX and extra music from Epidemic SoundTouching Moments by Ketsa (Free Music Archive)
Mental Health Resources
How to Access Mental Health Services (NHS site)Mental Health AustraliaOnly Human Radio Show
A fete in a cemetery, a tiny underground mail train, and a museum in a shopping centre. Come and celebrate everything that’s NOT the British Museum.
Nunhead Cemetery Open Day
Bug hunts, whittling workshops, crypt tours, a petting zoo, ice cream — a ‘typical’ open day. It’s spring and there’s still a chill to the air, but after months of lockdown we’re enjoying being outside. Before arriving if you’d asked me who’d be at the open day I’d have said three history buffs and a dog — but the place is bustling with hundreds of people: market stalls, a community choir, a ‘murder of goths’ (about 30, I’d say). The cemetery is being re-wilded, and as the forest reclaims the place, the wildlife has returned — mostly birds and squirrels, but on one walk we took here in the depths of the winter lockdown, on an overcast day with snow all around, we saw foxes darting between the gravestones and trees. Today, though, there are too many people for foxes. We finish at a pop-up cafe near the Scottish Martyrs monument, with tea and scones and jam. My nan used to make scones like that. The five Martyrs campaigned for parliamentary reform, and for their troubles were transported to Australia in 1794.
Mail Rail (Postal Museum)
Tunnels running east–west under London carrying narrow gauge driverless trains and delivering millions of letters a day. What more could you want? Royal Mail began as the personal mail service of one of the English kings. Some time later, if you could afford it, you could send letters where the recipient paid for them on arrival. When the Penny Black stamp was invented, the first adhesive stamp, postage was democratised and became accessible to anyone. By the 1920s millions of letters were being delivered to Londoners every day. The mail rail opened in 1927 to counter London’s congested streets and the ensuing delays. In the 1930s the GPO established a film unit. ‘Night Mail’ is its most famous production (Written by W.H. Auden). On our visit to the Museum we watched the surrealist jaunt ‘Love on the Wing’ (1939) by Norman McLaren. In theory it was an ad for the postal service, but the images plugged straight into my brain and I have no idea what it was about.
London’s Migration Museum (MM)
Popping into Sainsbury’s to grab some toilet paper? Why not stop at the Migration Museum? It’s Saturday morning and we bus it to Lewisham shopping centre. We sit up front of the top level of the double decker bus (for only two pounds you get a comprehensive view of the city, and every trip is like a mini tour). Founded about 20 years ago, and without a permanent home at the time, the MM was initially a series of collaborative exhibitions and events travelling all over the UK, including London, Oxford, Leicester and Edinburgh. From 2017 to 2019, it was based in Lambeth, then it moved to Lewisham. The bus delivers us to Hight Street’s bustle: market stalls selling fresh fish, fruit and vegetables, clothes, fabrics, and street food from Africa, Asia and the Caribbean. Nearby are Polish and Italian delis, Turkish and South Indian restaurants, and my favourite fish and chip shop in London: ‘Something Fishy’. The décor is straight out of the 1970s, and alongside an array of different fish (and chips) they serve pie and mash, and jellied eel. Before we head into the centre, Lewisham’s hustle calms me, makes me feel at ease with London on those days I feel anxious. It’s a human scale that feels about right; the perfect place for the Migration Museum.
The idea of travel brings with it the promise of exotic places filled with interesting people… But that’s for those who are able to come and go as they please. For many, ‘travel’ has been ‘not quite right’ for centuries, bringing conquest, oppression, inequality and disaster.
In this episode author, travel podcaster and poet Maame Blue drops by to chat about London, Naarm (Melbourne), travel and… oh yeah, her debut novel “Bad Love” (Jacaranda Books).
In this episode we reflect on a confusing couple of weeks and try to make sense of events that almost don’t make any sense at all.
During February and March we were house hunting. My memories of those confused weeks are thin — I’d just arrived from the other side of the world, and as much as I search for a linear and coherent story, none exists. I remember having to shake off claustrophobic thoughts before going into potential homes for house interviews; the intricate combinations of smell and light and sound; and the time before physical distancing. Our precautions came with caveats and weight: we didn’t shake hands, we used hand sanitiser, we Zoomed if we could. I flinched at every cough. As potential housemates, we discussed move-in dates, rent and bills, all without hashing out what ‘our house’ might look like if we, strangers, were plunged into indefinite 24/7 lockdown, except that’s one thing we needed to discuss. We all spoke as if coronavirus was happening to characters in other people’s dreams. But Shona and I had a hard move-out date, the lockdown’s bottlenecks had created myriad uncertainties, and the weeks were slipping away, so we increased our budget; began looking further afield, despite loving Leytonstone; and, somewhat reluctantly, decided no housemates. We also sent a ‘hail Mary’ email to Shona’s colleagues (when all bets are off …). A friend of a friend had a flat in south London. Four days later, moving day, March 24, Day 1 of lockdown: the removalists arrived three hours late, then we took an uneasy Tube trip across town to a part of London we’d never visited, holding an unsigned contract with landlords we’d never met, to move into a flat we’d never seen.
Thanks Opening & Closing Credits by Unregistered Master Builder Touching Moments by Ketsa (Free Music Archive) Markus J Buehler Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV)
If Lockdown is Getting You Down How to Access Mental Health Services (NHS site) Mental Health AustraliaOnly Human Radio ShowPink Therapy
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